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Put a Sock in Your Trap! The World’s Shortest Movie Reviews

We admit, even the critics writing on this website can be a little long winded. Not to mention pretentious, elitist, short sighted, impulsive — all right, just don’t say we aren’t open to a little self criticism. Thankfully, we control ourselves here and tell you only what you need to know, in 25 words or less. Call it consumer protection at its best.

America’s Sweethearts

(Joe Roth, 2001) John and Jo-Ro give it a go. Zeta-J says no way. Billy’s silly.

— Alicia Frobisher

A.I. Artificial Intelligence

(Steven Spielberg, 2001) Lofty questions. Lost opportunities. Spielberg’s ego run amok. A more respectable homage to Kubrick would have been a documentary.

— Demon

Brother

(Takeshi Kitano, 2001) Unreleased in the U.S., Beat is cold as frozen nails in the trailer. Festival reviews say look for this creepy yakuza film in September. [complete review in next edition]

— Demon

The Crimson Rivers (Les Rivieres Pourpres)

(Mathieu Kassovitz, 2001) How do you say “sell out” en Francais? Director Mathieu Kassovitz. Respectable moody overseas slasher rapidly becomes impossible Hollywood overkill.

— Demon

Final Fantasy: The Spirits Within

(Hironobu Sakaaguchi, 2001) What is the more intriguing summer gaffe? A film that asks if artificial beings can emote or watching Square USA squander $150 million showing that we are still far from constucting ones that display any pathos.

— Matison Moon

Legally Blonde

(Robert Luketic, 2001) Bubbly blonde hottie Reese Witherspoon may be fashion obsessed, but she’s smarter than she looks. A bubbly movie that makes fun of stuffy Bostonian Harvard types that is as much fun as blowing bubbles and painting your toenails pink.

— Dr. Mangrove

Lord of the Rings (trailer)

(Peter Jackson, 2001) You’ll want to kick the hobbit.

— Alicia Frobisher

The Mummy Returns

(Stephen Sommers, 2001) Ghastly by necessity. Production values steal the show: armies of mummies and dog headed men. Story and character forever entombed.

— Demon

Pearl Harbor

(Michael Bay, 2001) Titanic type of movie: 90 minutes of fluff, then a bunch of big budget bombs. The Japanese love the special edit.

— Demon

Planet of the Apes

(Tim Burton, 2001) Marky Mark and the Monkey Bunch.

— Alicia Frobisher

The Score

(Frank Oz, 2001) Three generations of method actors dazzle us during a few suspenseful moments. Unforunately, we have to wade through the other 80% of only slightly above-average drama to get the payoff.

— Matison Moon

Sexy Beast

(Jonathan Glazer, 2000) Extreme? Not quite. Logical? Sort of. Entertaining? Absolutely. Runaway boulders, stray ball sacks, gay gangsters make this worth watching.

— Demon

Shrek

(Andrew Adamson, Victoria Jenson, 2001) Tired of recycled Disney animated garbage? PDI comes to the rescue, parodying Disney from Snow White to Michael Eisner, and lets the Mouse have it.

— Matison Moon

With a Friend Like Harry

(Dominik Moll, 2000) Discovering you have nothing in common with old friends is not necessarily a bad thing, especially when you find out they are murdering lunatics.

— Demon

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